Dance Week 1 and 2
Monday: black
Tuesday: pink
Wednesday: Green
Thursday: Red
Silver Medal
1.Warmup exercise
Chins lifted
Shoulders right back
Foot stays on floor
Too close to barre
Hips stay facing the front
Pull up knee caps as we rise
Adding in heads for Devant
Straighten knees
2.Plies
Preparation
Elbow lifted
Timing of the grande plies:
Flick wrists on 3
All the way down on 4 (arm in bras bas)
Come to demi plie 5 (Arm in first)
Stretch 6
Pointe 7
Lower leg 8
Make sure for our pivot we are turning out our supporting leg
Heads looking out
Looking out to start with
Dont pull the shoulder forward
3.Battement tendu and Battement glisse
Use of Heads:
Devant: Looking out
A la seconde: Looking to the front
Derriere: Tiliting head and looking out
Close with straight legs
Knee stays back for retires
Ankle sharper
Make sure we know where the head
Arm to second straight away as we turn to get read for second side
4. Rond De Jambe a Terre
Head stays facing the front
Lengthen leg out of your hip socket
Leg stays in the exact same position when taking it to different positions
Make sure we are still counting as it is a simple exercise and we can get lost
Head stays facing front
5.Battement Frappe
Preparation
Arm in first on count 5
Arm and leg go to second on count 6
Lift 7
Bring on 8
Dont sink
Elbows lifted
Ending part needs more practice
6.Assemble soutenu
Breathe at the start
And arm comes to bras bas when closing into fifth
7. Devolppe a la seconde and Arabesque
Higher Arabesque
Make sure backs font drop
Hips facing the front
Grumpy green giraffes
8.Echappe Glisse
Straighten legs when in echappe
Pull up knees
Both legs out at same time
Dont push hips back
9.Preparation for pirouettes
En dehors:
Dont be so far away from the barre
Retire position coming up faster
Turn with the leg coming up at the same time
En dedans:
Ankle on the supporting leg needs to go faster for releve
Lunge with the back leg straight
Releve comes to the front
10.Grand Battement
No lifting hips
Silver Star
1.Warm up
Keep toes on floor in tendu
Articulation in the tendu
Pull up the kneecaps (activate knee cap/quad)
No rolling when bringing in the foot to first
2.Plies
Counting in the Grand Plies
I need to see Demi plies when coming up from grand plies
Our backs need to stay straight in grand plies
Knees back in Grand plies
Coordination with arms
3.Battement Tendu and Battement glisse
Tendu and fondu then glisse
Kneecaps activated
Activate your bottom core as we close
Hip flexors lifted please
4.Ronds De jambe A Terre and Assemble Soutenu
Straight leg in Ronds de jambe on first one then a fondu
Going to all leg positions in Rond de jambe
5.Battement Frappe
Frappe a la seconde (to the side) make sure its to the side and not towards the front
Articulate foot in frappe
Last ones just a point not a frappe so don’t swish on the ground
On the other side just lower foot to frappe position instead of tendu
Need to see your leg and foot in the frappe preparation at the end
Keep the leg out in la a seconde before the double beats
6.Battement fondu and preparation for Rond de jambe en lair (keep )
Preparation please
Slow down please
Timing: 1-2 into front
3-4 out to second
repeat derriere
1-2 lift working leg to second
3 carry in
4 unfold
5-6 repeat
7-8 lower
8.Développe and attitude
Straight legs as we close
Timing at end
Lower on straight legs
9.Grand battement
Centre:
10.Port de bras
Bras bas on count 1 then into first
flying frogs Fourth croise
from third arabesque go to first
Lift our core as we walk
Straight leg as we tendu and fondu
Smooth transitions no sharpness
Arms in first are too high - keep them low
Purple Eggs
Make sure the arm in fourth croise is not in bras bas
11. Battement Tendu
Arms in second when we transfer our weight
Prepare straight away for the next side with arms in
Arms in 3rd position - keep the second arm forwards of the body
Make sure to pointe second foot when bringing in to 5th Demi pointe - don't drag it in
Head looks away from working foot first in the tendus to second
12.Arabesque
Fondu before stepping in our walks and make sure we step onto a straight leg
No preparation start in a dégagé derriere
When we transfer to arabesque position our arms go to bras bas, first then on count 4 into first arabesque
Hold the arabesque counts 5,6,7 and lower leg on 8
Knowing which leg to Rond de jambe on the left side (Left leg)
Arms are in second when you face the front feet firs position
make sure you stretch knees when holding the arabesque
Arms go to arabesque position on &4
Step with a straight leg at the back and lift with the little toe
make sure to pull up supporting leg and don't move back at all in the arabesque
13.Pose and assemble soutenu
No pose turn
14.Pirouettes A
Arms need to be slower
Land the turn with arms in first position
make sure to spot head as you do full turn
Arms in 3rd position - keep them correct and no twisting in the shoulder
Contemporary level 1
What we did on Monday:
1.Light A
Hands slide on floor transferring into table top
Nods need to be lose
Make sure to hold table top for 8 counts
4 nods and 4 head shakes
Head down in squat
2.Introduction to floor
Hand goes over top to get there
both feet need to stay on floor for clams
Tucking our leg in the clams
Both feet need to stay on the floor so your closest leg to your hands
Whale worms in a waterfall
3.Spinal curl
16 count intro
Start on the singing
8 counts going down and up x2
4 counts going down and up x2
2 counts going down and up x2
4 counts to right side
4 counts coming up
repeat left
right around for 8 counts on right
repeat left
Bend as we roll up
Keep the chin down when bent forwards and hands on the ground
Keep counting
4.Articulation legs
Arm at the end that you move is the one that has been swinging
Drop your body right down and neck loose
5.In and out of the floor
5 jumps then down 6 up 7,8
hands on knees when kneeling
Everything is 4 times
Come to parallel
Furry Elephants
6.Turns
one and a half turns
head turns as we chasse straight away
no pause in between each turn keep going
Arms down
Make sure we know
7. Triplets
Slide feet along the ground
8.Jumps
Timing at the very end
Ballet Bronze Star
Curtsy to start
1.Warmup
Higher heel in pointe from demi pointe, no scrunching of the feet don’t go fully over the toes
2 counts in the rising section for each movement
No looking at each other
3.Plies
Heels coming off on count 4
Heels go onto floor on count 3
Activate knee caps
Transfer weight when we tendu
Heels naturally come off in grand plie
Piece of string on your heads and someone is pulling you as you plie
Counting for the rise
don't come up too quickly from grand pile in 2nd
4.Battement Tendu
Sharper in glisse with foot
Make sure we move our head not just our eyes
Keeping eyes up so it doesn’t look like you’re copying
Transfer the weight over the hip especially in glisse
don't forget heads
5.Demi assemble
Only goes to a la seconde (to side) not a full ronde jambe
Smoothly with our movements not robot like
Arm opens out to second as we plie arm comes down in bra bas as we straighten
Shoulders are too far forward
Legs need to be straight
Releve to 5th - don't pop the heels before the Releve and make sure you have tight 5ths with no gaps
when you turn to the other side from 1st Demi pointe, move the foot you're going towards to make sure its turned out
6.Preparation for assembles
Slow stretch legs after assemble
Swish foot along ground when doing assembles
Press heels down into the floor and swish
Use inner thighs in assemble
Don't use the barre when we jump
Press heels down into the floor when landing from the assemble
7.Preparation for retire positions
Temps lie keep foot on floor
Lower with the knee caps lifting
No sickling of the foot in petite retire positions
Flying carrots
Keep working on the petit retire passes positions - toes on leg at front - ankle bone on leg at back
8.Grand battement
Weight needs to be transferred onto supporting leg
I need to see a crease in the hip when you lift leg to a la seconde (to side)
Straight legs at the back keep knees activated
Pointe feet hard and use them to help get leg off the floor
9.Port de bras
Looking into arms in first position
Smooth with your arms you only just get to the position
Please smile
No movement of the shoulders
Remember where to look for the eyeline - not at he hand - at the mirror/frames
10.Battement tendu
Tendu rotating the leg
Heads turn as we open the leg
Transfer of weight
Hips are not staying still
remember where we need to look for the heads and eyeline
11.Coupes
Down with the leg up on fondu (COUPE) not a balance
Keep the 5th positions tight with no gaps on Demi pointe
look towards the pointed foot as you close to the other side
12. Pas de chaval
Need to close in third with straight legs
Flick out fast with legs but arms need to be soft
Get to demi pointe (peeling off the floor)
Wrist goes down and up (small)
13.Poses
arms are too high
Squeeze to hold arabesque
First position when we rise
rise don't relieve
squeeze bottoms to help with balance
and make sure to turn out the foot as you step forwards
Promenade
push the hips up and forwards as you walk
drag foot along the floor at the back with each walk
Plie pointe at the end before running Away to the other side
Changements
pull up the string when you land from the jumps
press heels into floor
make sure you go one at a time - everyone on the right then everyone on the left
glissades
make sure you bring the legs in snappy from the glissade
Sausage roll on a flamingo
keep the body lifted and pull piece from string as you land and do all plies
Jetes
make sure to swish through the floor and pointe toes
Jazz Bronze star
1.Cardio warmup
Punch the arms when you bring legs to second
Punches be strong on the way in as well
get body low in the side to sides after grapevine
pointe toes in high knee runs
go over the jumps into the grapevines
2.Side flat back and hip stretch
Hold your rise for 4 extra counts
Arms are bent when we go to the side like an S
Arm around the back of the ankle when holding ankles
Hands are on the ground when you are in the middle
Flat backs don’t curve
Move heels in for the rise
shoulders down in the stretch in second
keep hands flat - not floppy at end of arms
noses on knees in leg stretch
3.Forward split and strengthening exercises
Turn out feet
Timing off
Straight back leg in splits and keep body upright
Shoulders back and necks straight
Toes together when we stretch our backs
Standing up with the front leg
Make sure to go forward
toes together in cobra stretch
pointe toes in v sit
push to get more split
stand up with the front leg
stand up straight not like a worm or an old lady
4.Isolations
Arms stay glued to side at start little circles on your legs
Dont move hands keep them placed on hips
Start straight away on next side
Be precise with your back
KEEP YOUR HANDS ON WAISTBAND AND DONT LET THEM GO FLOPPY
5.Turn combination
2 Chasse turns
2 chaine turns
One Chasse turn
3 chaines
Turn head on count 2
MAKE SURE YOU START STRAIGHT AWAY AFTER THE PERSON BEFORE YOU
6.Kick combination
Walks are on flat feet
Get the legs up with your kicks at the start
Pointe your toes
keep arms still in the jump kicks - don't be a bird
only do this exercise on the right side
7.Warmup jump
Wait 8 counts then start
Spring up into the air and pointe toes
Toes together when landing
From the corner instead
small spot jump after the big jumps and make sure to kick bottom in the big jumps
8.Preparation for forward jete
Hips facing corner don't twist
Even height for legs
Stretch back knees
Flicks not a swish
Not about the height of leg its about straight legs please
Orange olives
Pointe toes - gumboots
stretch back leg heaps in jumps
9.Travelling
Travelling to the corner
Step kick before then flick
Travelling as further as you can
Demi pointe at end for end pose
After you finish your second kick put foot down straight away to do the chasse turn
Big kick big arms - little kick little arms
make sure you drag the foot in drags and pause to show off the leg before doing the next one
Pointed toes!
10.Pony Step
From back over the top all the way down with your arms (Swimming arms)
lift both knees up in our footwork
Pointe toes
Dance notes
back front genie, up down, up down, cross in, cross in, roll, clap
elbow then arm - go away part
show the crouch part and push back on 'work'
Rainbow grapes
sharp elbows and punches
chaine turns are towards the corner
arms don't go below shoulders in the step jump claps
Ballet Gold Medal
1.Plies
Keep hand to lyre and leave
Heels together in first
Pull up kneecaps
Transfer weight
Don’t lean in grand plie just your head
4 counts down come up 5,6 arm down 7, rise 8
2.Battement tendu and glisse
Heel forward first in tendu
Make sure hips aren’t moving when moving leg
3.Rond De Jambe
Timing a bit fast
Transfer weight when lifting leg from derriere/devant to a la seconde
You need to transfer weight when coming from derriere to a la seconde
Dont drop the leg from derriere to second has to stay same height
4.Battement fondu
Foot on floor in fondu at first
For the coupe fondu extend in the air
Basic port de bras for the fondus at the start (bras bas to first to second)
Rotation in the demi rond de jambe and the coupe to fondu
Coupe timing
Preparation needs to wait in second before lifting
5.Battement Frappe
Cross beat to back
Hold leg out to second before you do your double beats
Thigh stays completely still same as petite battement
Derriere needs to be behind you
6.Petite Battement
Arm in bras bas
Thigh stay still in petite battement only lower leg moves
Turn head
LIFT YOUR FOOT INTO INTO COU DE PIED
Arm and leg coordination at the start (leg and arm open at the same time)
7.Develope
Rotate leg as you extend
Higher legs
Hip stays back in devant
Retire passe lift a little higher before passing over
Lift leg up when we go from second to derriere
8.Releves
Retire needs to snatch up
9. Grand Battement
Transfer weight over as soon as you start
Close for Dégagé on count 4
Different dynamics within the grand battement UP FAST SLOW AND CONTROL COMING DOWN
10. Port de bras
Move head not whole body for walks
Don’t lean back in tilt
Body on thigh for the grand port de bras
All through the arm positions in the port de bras third -fourth-fifth-third-fourth
Fourth position is too low in second
Dont lean in 5th position
Open fourth position tendu needs to go out on count 4 and sharper
Eye line lifted
11.Battement tendu
Arms are too high in allonge
Side arm in third is twisting
Core not engaged
Use of head
Up down arms bras bas, pointe and go to first, close and go to third
Working through the feet
Stretched legs
Transfer weight onto front foot while releasing back leg
13.Attitudes
Back arm in fourth at the start
Which ever way your going that arm goes up or what side your going towards so if you were going towards the left the left arm comes up first and vice versa
Lifting on 'and'
12.Pirouettes A
Need to lift supporting leg
Your coming down and your sinking into supporting hip
13. Pirouettes B
Land with arms in first
14.Pose coupe pirouette
Keep arms in first for chaines
Step for your prep
Chasse with a turned out front foot
15. Pas de bourree
Plie between each one
Fifths
16.Dance enchainement
From the pointe pull up to fifth straight away
Eyes up
Travel in pas de valse
Eyes up at the start
17.Poses
Hips and shoulders stay facing corner
Looking over our arms in first
Petite allegro
Sharper glissades
Higher arabesque
18.Petite allegro
Snap leg in faster for glissades
Close on the count, down on the count
Eyline
19. Sissones
Close into fifth faster
Faster with changement
20.Entrechat Quarte
Set Dance
Ballet:
National Character:
Jazz Test 3
1.Cardio warmup:
Swinging arms underneath
Remember star jumps before grapevine
Jumping onto right leg for leg curls first
3.Side stretch in second
Pointing our toes
straight backs
4.Thoracic and lumber spine
Stretching our backs
ankle bones together
5.Ribcage
Just moving the ribcage
Reaching from side to side
6.Kick combo
Dont lift leg too high
turn leg out
7.Step hops
Karate chop with arms
pointe toes in the hops
8.Kick ball change with sugars
Kick, back, stamp
Show ankle bone on sugars (jazz hands)
Disco crabs
9. Jump with turning grapevine
No arms for the first two heels
Freeze with your arms
Pick your feet up when we jump from side to side
10.Girls combination
Stronger arms
Your your face expressions
Move the hips
Ballet Bronze Medal
1.Positions of the feet
Lift chin
Toe does not lift in tendu
Posture
2.Plies
Holding our posture
Knees open straight away in grand plies
3.Battement tendu battement glisse
Transfer weight hip needs to be on top of your toe and your shoulders need to be on top of your hips
Glisse too high
Dont drop your arms
Flying cars
4.Preparation for releve
Remember to go to fifth
Lifting up don’t bring the hips back
Lift our chins
Dont lean back when we take our balance
5.Preparation for petite jetes
Hips are too far back
Dont push off from the barre
Attach foot to leg
Stay in their plies
Heels are pressing down into floor before you take off
6.Grand battement
Inner thigh turned out as we lift leg
Careful of arm on the barre
Hip stays back as we lift leg
No sickles when we turn around
Don't be too close to the barre
7.Port de bras
Use of head
Smile with teeth please
Dont drop arm in second
8.Battement Tendu
Too much demi pointe make it smooth
Arms in second and make sure you hold them
Transferring weight
9.Preparation for coupes
Pointe back foot
Knees shouldn't touch in fondu
Follow the arm at the end
Close in third at the end
10.Sautes
Plies before your jump
Arms still
Mcdonalds M
11.Petite Jetes
Lift leg before you bring in your leg
First in the air between each one
Melt into supporting leg
jump in the air instead of side to side
First ones go to the front
No leaning, nice and still
Frosty flakes
12.Temp leve
Need to see first before extending the leg
The leg you bring in does the work
Arms still
No knees touching in the fondu
Opposite arm to leg
Hops your arms are in third
Arms through first to second
3 HOPS
13. Gallops and spring pointes
Same leg for the spring pointe as the way your going (if you are travelling to the right, right leg goes out first)
4 gallops
Plie in second, both legs turned out
14.Gallops
Running around into the middle
Ballet Test 3
1.Positions of the feet
Go to the side first
Make sure we bring our arms in front of us when we go the side
2.Demi Plies
Knees open
Dont move the hips as we close
3.Battement tendu
Tendu derriere make sure your hips stay still
Keep foot on floor
Fully stretch the feet
Dont twist our hips getting to a position
4.Demi pointe
No banana backs
High demi pointe
5.Preparation for petite jete
Knee back in petite jete
Pointe toes
No sickle with the foot
Plie
6.Preparation for polka
Counting
Pointing toes
Lifting chins
Running nicely
Higher demi pointe
7.Port de bras
Remember the end movements
No robot arms
fluffy flamingos
Make sure we are using our head as we learnt today (ear to shoulder)
8.Battement tendu and spring pointes
Dont move the shoulders when jumping
Only 6 spring pointe
Pointing our toes fully
Deportment walk
Tippy toe turn with straight legs
Sautes
Knees turned out in second jumps not facing the front
Poin te toes in jumps
Dont move arms when jumping
Gallops
Jazz Bronze Medal
1.Cardio
Legs go to second for the one leg curl
Leg curl in grapevine
Punches need to be fast in
Higher knees
2.Side and flat back stretch
Arms need to make an S
Keep a gap as we go to the side
Robot movements when turning
Toes stay facing the front
Pull yourself to your knees
Keep counting in your heads not mouthing it
3.Leg extension
Right hand on the bottom and left hand at the top when holding leg
4 counts down 4 counts up at the end
remember how we sit down
4.Ribcage isolation
Chicken, side, back, side
Sharper movement
Work on the left side
5.Hips isolation
Bend our legs
Fingers held, thumb at the top of waist band
Too fast in the 4 counts
6.Single retire positions
Hold balance for longer
Activate your kneecaps so your legs are straight
Not too much force as its only a single turn
Turn half leave head behind then flip when coming around for full turn
Roll through the feet as we come down
7.Kick combo
No hips moving
Pointe toes in the air
Legs need to be 90 degrees or higher
Red roosters covered in chocolate icecream
8.Warmup jump
From the corner
Running arms
Knees up in the tuck jumps
Dont drop hands when you land
Dont do same arm as leg for running
KNOW YOUR RIGHTS AND LEFTS
9. Funk combination